Here's a promo video I whipped up for my graphic novel Broken Lines. Since you probably haven't heard of Broken Lines, clearly this must be a terrible promotional idea.

Labels: 2009, Animation, Broken Lines, Video

BROKEN LINES is a graphic novel (in progress) about a cowboy, a spaceman, and a waitress on a cross-country adventure. They fight evil. It's supposed to be funny. I'm about halfway through the story, independently publishing issues with little to no distribution at all. When the story is done, I will be shopping it around to publishers. In the meantime, "get in on the ground floor of this amazing opportunity." I encourage you to visit the official site for plot stuff, sample pages, multimedia crap, and the chance to purchase. Issues of Broken Lines are also for sale on this site, the BUY COMICS page. - Visit the BROKEN LINES site

Labels: Broken Lines, Comic Projects, Self-Published, Wicked Awesome

...This Tom Pappalardo fellow? Either a genius, or a candidate to wind up on some sort of neighborhood “registry.”

The whole book is one cheerily absurd moment after another, and BROKEN LINES remains one of those little treasures that not enough people know about, but I suspect someday will. Find out for yourself why.

- Marc Mason (full review at Comics Waiting Room)

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Pappalardo's illustrated prose novel returns with a new chapter, and fortunately it was worth the wait. BROKEN LINES is shaping up to be a classic oddity, full of strangeness and lunacy; hopefully he'll be able to get it in front of enough eyes so that it gets the recognition I've begun to believe it deserves.

The basic plot sounds a bit like the setup for a classic joke: a cowboy, a spaceman, and a vampire go on a road trip... picking up a waitress along the way. But there's a bit more to it than that. The group is pursued by a nasty group of demons called "firemen" (because they chop up people with axes and set things on fire), a trio of British vampire hunters, and now a third group of players with a mad-on for one of the group. But perhaps the most dangerous thing of all? American consumerism, as the waitress must navigate a shopping mall, her strange attraction to a retail salesman, and the d-bag trying to sell mobile phones from one of those kiosks we all hate so much.

You have to give the author credit for a number of things he tries with this book and manages to get away with. He breaks the fourth wall without being too annoying about it. He writes BROKEN LINES in present tense, which is almost impossible to do well. He does a solid job of adding in the illustrations and working them into coherent, mixed pages. And after about 120 pages, you still don't really have an idea exactly what the hell is going on or what the ultimate goal for the characters truly is (beyond "take the vampire home"). But somehow, all of this (mostly) works and tickles the funny bone.

Maybe my favorite moment in this chapter comes late in the proceedings as Pappalardo takes a moment to explain the "atmosphere" to his readership, layer by layer. When he finally gets to the top, outer space, he describes it as thus: "Fuckin' wormholes and shit."

Not exactly NASA, but executed with panache. Good stuff.

- Marc Mason, Comics Waiting Room

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I have nothing clever to say about this book that the book does not say for itself. Seek it out. You will not be disappointed.

Tom Pappalardo and a slew of artists working in conjunction with Standard Design have created what is quite simply a masterpiece. In the first of what is tellingly called Book One of Four, Maybe, Pappalardo introduces his readers to Cowboy, Spaceman, Vampire, Maggie, and Myron, five almost archetypal heroes whose adventure dances the edges of reality like Fred Astaire on crack. But fair warning, this is NOT a comic book. It is the first in a series of four illustrated novellas that will leave you literally salivating for more.

I first saw Pappalardo's work a few months back when I reviewed the surreal and entertaining Famous Fighters. In that comic Pappalardo, along with his intrepid collaborator, Matt Smith, introduced readers to Cowboy as well as a slew of other characters loosely connected by a twisted definition of heroism that simultaneously parodied and paid homage to some great comic book, fantasy, and sci-fi motifs. It was a funny, entertaining, and excellent little independent comic. But compared to Broken Lines it was weak.

With clever dialogue, present tense, conversational narration, and asides that will make you laugh out loud if you are, say . . . sitting in the dentist's office waiting room quietly leafing through your copy, Broken Lines offers something few novellas do these days. It is intelligent, entertaining, and in a word, freaking awesome.

The story begins when a waitress, Maggie, meets two strange customers on a cold winter's day in a Colorado diner. One is a stoic cowboy called Cowboy, the other is a childlike spaceman called Spaceman. Their personalities mix as if they are our culture's answer to Oscar and Felix—and if you don't know who they are, go to the theatre—they bounce off each other and balance each other out with a comedic flair that makes their story hard to put down. Later Firemen (not firefighters, firemen—demons whose job is to kill and destroy) burn down Maggie's trailer park and because Cowboy "had a feeling" something bad would happen, Maggie is saved and swooped away on a twisted adventure involving a rehabilitating vampire, demons who talk like stoners, vampire hunters who are far less noble than one would think their career choice indicates, and a hapless nerd and his dog working at a gas station in the middle of nowhere.

These clever words are balanced by the art. As mentioned above, this book is NOT a comic book, graphic novel, collected volume or anything like that. Rather, it is an illustrated novella. With periodic panel-to-panel art done by Pappalardo and various other independent and amazing artists, this book fires ahead where others would bog you down. There is a mixture of illustration, Photoshoppery, and collage filling the pages between the prose and continuing the story along with a finesse that belies and benefits the oddity of the actual tale being told.

And what an odd tale it is; odd, fun, well written and with likable, intriguing characters, a plot that never stops, intersections of panel-to-panel art, and a quote from William Blake for the cherry. Do yourself a favor and buy this book, seek out future issues, and become a fan. You will NOT be sorry.

- Aaron Stueve, broken frontier

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I'm not sure what I expected when I began to read Broken Lines: Book One of Four, Maybe but it surpassed whatever thought I might have had. It is so unlike everything else that I have ever read that I hate to make any sort of comparisons.

Cowboy, Spaceman, Vampire, and a waitress by the name of Maggie are the good guys. You know the kind of good guys I'm talking about right? Yep, the kind that fight evil. When firemen show up at the trailer park Maggie is living in and start to set fire to things, she can't imagine why. She asks the two who show up on her doorstep and they are kind enough to fill her in:

'Oh, no, ma'am. You're confusing us with firefighters,' the second fireman explains through the door, "They put out fires and save people."
'They're America's Heroes,' the first fireman chimes in.
'Yeah. We're firemen. We're basically evil. We're here to burn and kill.

But since we know, well at least we guessed, that Maggie is one of our heroes, this can't be the end of her. That is when Cowboy and Spaceman show up. With the help of Vampire they rescue the lady in distress and hightail it out of there.

What follows is a slightly peculiar journey to... well, we aren't exactly sure. They travel around in a rental van, which, by the way, is more than it appears, with Vampire hanging out in the back. Where they are from and who they are - those are questions that are never really answered. They simply are. Believe me, it is more than enough.

Coffee imbibing and all-night stints stocking-up at a grocery store also figure in Broken Lines, adding to its unique quality. There are some illustrations, a few traditional comic book boxes, but for the most part it is comprised of words - very funny words I might add. The characters are simply brilliant and the dialog is smart and entertaining.

Broken Lines is unusual. It starts out with a character washing his hands and ends with someone asking where the microwavable chalupas are. Completely irresistible once you start reading, you will not stop until you have reached the last page. Once there you will immediately start looking for volume two.

- Katie, McNeill - blogcritics magazine

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The world does not need more superhero comics. It also doesn't need weird little illustrated novellas halfway between The Poor Man's Almanac and an old volume of Edgar Allan Poe poems with captioned picture plates. But I'd much rather more of have the latter than the former, which is why I was so pleased to read Tom Pappalardo's Broken Lines: Book One. It's the story of a waitress who hooks up with a spaceman and a cowboy to transport a vampire across the country in a rented moving truck. If you're either confused or irritated by the concept thus far, reading the book in its entirety will alleviate neither condition.

So, it's a good thing that Pappalardo's humor strikes such a chord with me. It probably won't with some people, primarily the type that buys Friends on DVD and goes to Adam Sandler movies on opening day, but those that prefer a more literary type of humor will find something to appreciate in Broken Lines. That's not to suggest that the book relies on high-brow pretension; quite the opposite is true. While Pappalardo clearly appreciates the finer points in humor specific to the written word, and has steeped Broken Lines in various literary traditions that suggest he's at least walked by a library or two, the sense of humor is truly absurd, and references to modern culture both high and low pepper the pages. At a hefty 70-plus pages, that's a lot of pepper.

But what's most arresting about this independently published book is its design. Not only has Pappalardo apparently read a few books, he's also paid quite a bit of attention to their layout and design. From the dry edition notes on the back of the title page to the chapter breaks, every element of the book has a unified sense of style, best described as ‘olde thyme', so detailed it belies the independent nature of the book. The illustrations are varied but consistent, alternating between diagrams, comic pages that bridge gaps in the prose, and illustrations with captions so absurdly chosen ("About halfway through Yojimbo" being my personal favorite) they complement the book's sense of humor perfectly. The spaceman is cute, the cowboy, who we've met before in Pappalardo and Matt Smith's excellent Famous Fighters, is suitably gruff, and the waitress character is almost as baffled as the reader is. The only real downside to the book is its rather abrupt end, which stops short as if a filmstrip caught fire halfway through the final reel. Broken Lines is ostensibly book one of four, but the build up doesn't work, because we're not left teetering on the edge of a cliffhanger, but rather thinking a few pages got left out at the printers. But though the end is confusingly sudden, the reader is still left wanting more, so while the world may not need any more superhero comics, it may need at least one more illustrated novella. - Rating: 9 on 10

- Al Kratina, comic book bin

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Well, this isn't a comic exactly, and it's not a short story exactly either. It's mostly a short story with comical interludes thrown in, but what a story it is. I can't remember the last time I was this impressed by a story where I had no real idea what's going on. It starts innocently enough in an all-night diner with a cowboy and a man in a spacesuit eating dinner. Their waitress can't work up the enthusiasm to be too curious about them, and things proceed slowly for a bit until Maggie ends up having to get a ride home from these two. After they part ways, Maggie meets a group of demons from hell dressed as firemen (firemen make fires and kill people, firefighters are the ones who put them out, you see) before eventually ending up back with Cowboy and Spaceman and their silent friend, Vampire. She joins them on their journey across the country, trying to make enough money to survive along the way, while being chased by... well, we're not sure what. Nor do we know where they're going or why they're going there. None of that matters even a little bit, as an engaging cast of characters (I haven't even mentioned Myron or the Vampire Hunters because why not leave a few surprises for you?) and a constantly funny dialogue keep things moving even when they're stuck doing inventory in a grocery store to make a few bucks. Spaceman is possibly a small retarded child judging by his actions, Cowboy is the stereotypical cowboy except with a clumsy streak, and I don't have the slightest idea what Vampire is yet, except that he seems to have given up drinking blood. What can I say, I was mesmerized and damned sad to see the last page of this book. It's projected to be the first of four issues, so at least there's plenty more to go. I can't recommend this enough for those of you who don't mind a lot of really wonderful text thrown in with the pretty pictures. Oh, and Thomas did most of the drawing himself, except for a page each by Mister Reusch, Jason Goad and Matt Smith. $9.95 - Optical Sloth, June 2007

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A couple of years ago, I reviewed a self-published comic called FAILURE, INCOMPETENCE by Tom Pappalardo [link - tom], and gave it a pretty heavy panning. The biggest problem was that Pappalardo was just not a very accomplished artist as far as comics went. Now, many times when you lay out an indy creator in a review, you'll never hear from them again; I say that, because I tend to have a healthy respect for those with the stones to come back for more. So I tip my cap to Pappalardo for standing up and taking another swing.

BROKEN LINES, to his credit, is something completely different. It is actually a prose work, with some illustrations spread throughout the book. But while the illustrations come across weakly on the whole (there hasn't been a lot of artistic growth here), the prose part is absolutely terrific fun. Pappalardo's true gift kicks into gear when he puts the pencil down and starts typing.

Maggie is a waitress working at a highway diner when her life takes a bizarre turn; one of her morning tables is comprised of a cowboy in full-regalia and a man in a spacesuit. But that isn't the weirdest part of her day; when she gets home, her home is attacked by demons called "firemen" whose job is to burn property and kill the owners, sending them straight to Hell. Fortunately, Maggie has a chance to survive when the cowboy and spaceman show up to save the day and rescue her… along with the help of their other friend, a vampire.

Swerving between quirky and flat-out strange, BROKEN LINES is a very amusing little tale. It's completely unpredictable, and not once do you ever feel like you know where it's headed. That's a nice feeling to have, and even though you're only a fourth of the way into the full story, you still walk away from this first part feeling satisfied. The story is also told in the present tense, which is rare these days, making it an even more unique read. Congrats all the way around to Pappalardo on delivering a solidly creative effort.

- Mark Mason, comics waiting room

Labels: Broken Lines, Comic Reviews, Reviews

Tom Pappalardo the face behind Standard Design, author of Broken Lines
Katie McNeill - published May 11, 2007

Broken Lines: Book One of Four, Maybe is simply about good and evil. You have evil firemen vs. a Cowboy complete with six shooters, a Spaceman who feeds red licorice through his suit, and Maggie the waitress. These characters come together to form Standard Design's delightful self-published illustrated novel.

What is Standard Design?

Standard Design is me, Tom Pappalardo. It's the name I do design work under. In the context of Broken Lines, Standard Design is also the publisher, I guess, since it's self-published. By me. Tom Pappalardo. And I'm Standard Design. See?

Would you mind telling us what Broken Lines is about?

Broken Lines is about a good and evil, death, redemption, and boredom. And lousy coffee. Lots of lousy coffee. You've got a grumpy cowboy and a goofy spaceman on a road trip in a stolen moving van. They save a waitress from her rather uninteresting life and boom! - she's tagging along on their cross-country mission. Naturally, they are being pursued by Bad Guys.

What made you decide to do an illustrated novel?

Well, I'm always sitting on a backlog of story ideas - some comic, some prose, some just scribbled outlines that could go either way. But my actual output has historically been pretty low, because, you know, I work for a living and stuff.

So it occurred to me that maybe I should just combine a bunch of unrelated ideas into one big story. I knew it would be a major undertaking, take forever to do, and require a lot of discipline that I don't by nature have, so I had to create a set of rules for myself that would let me complete the damned thing without giving up a third of the way through it, you know? That meant allowing myself the freedom to switch from drawing to writing to whatever I needed in order to get the story down on the page.

So the book's "illustrated novel" format is sort of the result of my short attention span, my impatience, and ultimately my desire to force the story out of my head and onto paper. I have found it to be a very enjoyable way to tell a story. It works. I like it.

Where did the idea for Broken Lines come from?

Broken Lines is a reaction against a lot of junk I see in movies, TV, and books that just drives me nuts - dialogue that makes me cringe, contrived plot twists, characters with no history or personality. So even though the story itself is a bit outlandish, I wanted Broken Lines to be grounded with characters that talked like real people and responded to weird situations like normal people would. I wanted everyday settings, and I wanted an extremely unromanticized, uncool, un-"comic booky" take on a hero story. I mean, why doesn't Batman drive a 1999 Ford Econoline moving van? They're very spacious.

I have to ask you about The Firemen because I laughed so hard while reading about them. Why did you decide to make firemen evil?

Well, the pragmatic answer is that I needed an army of bad guys that all looked alike so I wouldn't have to sit down and design a new character every time I needed a new bad guy on-scene. So, you know, they're my lazy equivalent of storm troopers, I guess. Other than that, the choice was pretty random. Just a bunch of dumb dudes wearing full-face oxygen masks. I had a serious doubt about making them firemen after 9/11 because real firefighters were being so revered for awhile. But fortunately, America has a short memory and we've gone back to ignoring their important contributions to society. So thank God for that.

What do you think is most appealing about your work?

It's got moxie.

Do you have a favorite character from Broken Lines? Why?

Currently, it's me, the omniscient narrator. I hog a lot of the funny lines, because I want everyone to think I'm clever and witty. My second favorite character doesn't appear until Book Three, so hold your breath til like, 2010.

Would you mind sharing a little bit of what the future holds for your heroes?

Their future is everyone's future: Lots of sitting around, a few laughs, then death. Then maybe a few more laughs.

http://blogcritics.org/archives/2007/05/11/180940.php

Labels: 2007, Broken Lines, Interviews and Articles