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Broken LinesThe OptimistStandard Design
 

The Starline Rhythm Boys - Masquerade For Heartache (2009)

 

GIFT CERTIFICATES - Turn It Up! CDs

        

Turn It Up! fake album covers, used as gift certificates (offset cards slipped inside free CD jewel case). This was a wicked fun project. Genre-mimicking is one of my favorite past times. Click covers for larger image.

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Sketchbook - 2008

November, 2008


October, 2008

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Change Begins Here: Barack Obama


A full page illustration I did for The Valley Advocate after the inauguration. See larger photo.- This is available as an 11x12" digital print on the BUY POSTERS page.

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Valley Advocate cover: Flywheel (2007)

Cover for the Valley Advocate for an article about the Flywheel Collective. (Nov. 2007). Click to see the original art.

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Some old No-Shadow Kick flyers

   
The No-Shadow Kick - Block Island, RI (photocopy, 2007) & Rock show flyer - Joe Strummer tribute (xerox, 2003)


   
No-Shadow Kick w/ The Coopers and Hospital at The Baystate, Northampton Mass (1999, 2-color photocopy)& No-Shadow Kick w/ Cindy Bow and Kate O'Connor, Amherst, Mass (1998, 2-color photocopy)



TALLER THAN gOD at The Empire Theatre, Manchester, NH. The first flyer I ever made, for the first rock show I ever played. Maybe 1993.

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Sketchbook - 2007

 

PRINT AD - Turn It Up! CDs

 

Illustrations from Turn It Up! CDs TV ads

Mockup stills from three Turn It Up television ads. See the videos here.


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Kurt Vonnegut

A spot page illustration I did for The Valley Advocate when ol' KV passed. See larger image. An 11"x14" digital print is available for sale on the BUY STUFF page

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Valley Advocate cover: Star Wars (2007)

Cover art for the Valley Advocate article about Star Wars' anniversary. (Aug. 2007). Click to see the original art.

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PRINT AD - Turn It Up CDs

 

COVER ART - Letter X Magazine



Wraparound cover

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Sketchbook - 2006 & older

 

No-Shadow Kick - Spatializing Sound in the Time Domain (2005)

SPATIALIZING SOUND IN THE TIME DOMAIN
(2005, NSK03) No-Shadow Kick's 2005 EP. After many moons of non-rocking, NSK returned with seven songs to explode your face with.
Listen to Choking on the Blue Haze


Read reviews | Click to see CD layout | Visit noshadowkick.com | $6.00 CD for sale on the BUY page.

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COVER ART - VMAG (1999-2000)

VMAG, a local (Northampton, western Massachusetts) zine published in the late nineties/early aughts, wasn't my publication, but I did a bunch of graphic work for Murph, the publisher. And since it seems to have very little life on the internet, I figured I'd post some of the work I did for it. Most of the inner-page stuff (spot illustrations & a comic strip called Pinhole) I ended up including in the mythical Failure, Incompetence, but here's some of the cover illustration and design work I did:


SEPT 1999
I did the illustration, not the type. Very Haymarket-y. Heh. The guy on the left was modeled after a fellow Turn It Up employee whose name, unsurprisingly, escapes me at the moment. But he was a RIGHTEOUS DUDE. Click for a better look at the drawing.


JUNE/JULY 2000
Murph, the editor/publisher, let me fiddle with the whole layout for this cover. My young and foolish ways led me to the Impact font. Ho ho ho. But you know, it's pretty ok. This is also one of my earliest forays into misusing the Photoshop halftone filter.


#32 - AUGUST 2000

This was the premiere of a cover layout grid style that i'd actually taken the time to think out. Shocking, I know. For some damned reason, the left column graphics got bumped a quarter of an inch to the left, but it still set the tone for what I wanted in general. I did the illustrations, too. And, hey... how's that for logo design, eh? EH?


#33 - SEPT 2000

A-ha! The grid done correctly... much better! I still really like this style. No-frills, straightforward, limited color palette. I did not take this photo, but I think I did that little graphicy thing in the lower left to fill the space in the layout.


#34 - OCT 2000

I seem to recall that weird little graphic in the lower left is something I did for some spooky ghost story inside.


#35 - NOV 2000

I still really like this illustration, which I later hijacked for my Ween poster. These were the days before I really understood CMYK vs RGB, so the cover came out a lot duller-toned than I'd intended. Click for a better look at the original piece.


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COVER ART - Lollipop Magazine (1996-2000)

LOLLIPOP was/is a Boston-based music magazine. Some of the comic work I did for it ended up in my much-talked-about-but-seldom-purchased FAILURE, INCOMPETENCE collection, but here are some of the cover illustrations I did:

AUG 1996 - The editor's art direction was "I'm paying for full color covers... use every color." Yikes. I hated all the text put over it, I hated the pink logo, and I sort of hated my own drawing. Devout Standard Design readers will note the dog is a prototype of Banjo from Broken Lines.



JUNE 1997 - How Boston-y-er can you get than a zine cover of riding the T? Not a great drawing (I tried and failed to make the kid look like he was pressing his face against the glass of the window), but I give myself points for the watercolored background people. I do not know what possessed the layout person to crop the drawing and add those blue borders. Sort of killed it and made it harder to easily tell the scene was taking place on a train.



FALL 2000 - After two not-super-pleased experiences making covers, I came back one more time, because I have an insatiable need to see myself in print. This was a bizarrely complex Photoshop file. Like, everything was drawn seperately and combined later (main characters, statue, trees). I think I'd progressed a lot as an illustrator, and was interested in making a clean, bold drawing, which I did. Then I got comments from the editor amounting to "add more shit in. I want it to be like a MAD magazine thing with tons of little things to look at." So that led to adding in the background people, pigeons, squirrels, foreground dog & sign, dogshit, tree details, things in the sky, etc. Charlie Brown's flying a kite back there, too. Really cluttered the shit out of it. Ah, well. The devil is pretty rad. After this cover I was like "no more Lollipop". Look, it's Banjo again.

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